| Geoffrey Dyer, Richard Flanagan, oil on linen, 183 x 152.5 cm |
It was all a bit subdued at this year's announcement of Australia's pre-eminent art prize, the Archibald. For a start, convivial director Edmund Capon – who'd briefly become a NSW election issue when he took down the Australian flag from the Art Gallery of NSW in protest at the looming war – had been seemingly banished to a corner of the room instead of taking pride of place as MC on the podium.
Capon's void was filled by the earnest monotone of David Gonski, president of the AGNSW board of trustees, although we were assured the flag incident had nothing to do with Capon's "banishment". War, declared the day before, had quelled the media's customary boisterousness and Gonski's declaration of each winner – there are four in all, including the Wynn, the Sulman and a new photo-portrait prize – was greeted with dispersed gasps and muted applause followed by an exchange of polite but quizzical glances around the room: "Who?"
No darlings of the social set got the nod this year, nor did reclusive genii, enfants terrible or even idiots savant.